The stunting is being kept to a minimum, there is no persona, this is *insert Rick Ross government name*. The Goodie Mobb alum is catching bodies, bodies, I think my body is levitating, he is singing from the soul of the Holy Ghost. He doesn’t parade his parents on records like Drake. Ross is talking about his father, who knew he had a father? I thought he was born by the force like Anakin.
“She told me no more Promethazine that would make her proud.” Deep, I wonder if this has to do with his seizures. Ross is talking about his mother, this is a first. Jake One and Ross, I’m ready for these drums to punch me like Michael B. More John Legend on rap intros in 2016 please. John Legend has a voice that takes you to church, literally lifts you up and sends you to the nearest service. Angelic. This is a pretty good intro, Ross sounds alive, passionate, he said the first verse was his inner André 3000. An introspective Ross is always a winner. Ross has an excellent rap voice, despite it's heavy weight, he's able to tip toe over beats. This beat sounds like walking down a golden road in a cul-de-sac where in every house lives a millionaire. Rick Ross giving glory to God to start, the sentiment is mad over some gorgeous keys. During the early to mid-2000s, he became popular and well-known locally through touring with Trick Daddy and appearing as a guest on a few Slip 'N' Slide releases, but didn't release any solo material until 2006.As per 1 Listen rules.I'm not allowed to pause or rewind the album, this is purely my stream-of-consciousness, gut reaction to the album as it plays in its entirety. I'll revisit the album in a few months when I can really measure its impact.
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(He took his rap name from Los Angeles drug kingpin 'Freeway' Rick Ross, who ran one of the largest crack cocaine distribution networks in the country during the '80s and early '90s.) Ross had a brief stint on Suave House Records, former label of Eightball & MJG, before he ended up on Miami-based Slip 'N' Slide Records, the label home of Trick Daddy and Trina. Influenced by artists like Luther Campbell and the Notorious B.I.G., Roberts formed local rap group the Carol City Cartel and began rapping in the mid-'90s. Ross, real name William Roberts, grew up in Carol City, Florida, an impoverished northern suburb of Miami. While Atlanta and Houston artists were establishing their cities as Southern strongholds, Ross aimed at putting Miami back in rap's national spotlight. Tattooed with pictures of AK-47s, Miami's six-foot, 300-pound rap figure known as Rick Ross embraced his city's reputation for drug trafficking on his debut single, 'Hustlin',' in 2006. In “Money Make Me Come,” sex, drugs, and money are folded into a single potent obsession a culmination of sin and sleaze, the song is Ross’s truest moment to date. Rotem-produced “The Boss,” synthesizers are indistinguishable from human voices, and the song’s undulating, otherwordly tones make for a mood that is as haunted as it is fearless. While Ross’s modus operandi is extravagance beyond all reasonable imagination, Trilla throws its audience a couple of outstanding curveballs. To bask in the opulence of “This is the Life” or “Luxury Tax” is to imagine oneself a boss, overseeing a kingdom from the roof of a Miami mini-palace. From its list of superstar cameos to its pack of top-sheld producers, Trilla is an album designed to succeed at any cost. Like Tony Montana, Ross favors the gaudy and the exorbitant over the subtle and the clever, but he also shares something deeper with Pacino’s monomaniacal hustler: his ruthless cunning. Rick Ross has remained faithful to the immortal gangster parable of Scarface, a story set in his hometown of Miami.
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